Tanya Grigoroglou

RAW Editions, a London-based private gallery, specialises in post-war and contemporary editions. Established in 2017 by Tanya Grigoroglou and Rupert Worrall, both with backgrounds in the auction industry and a shared passion for collecting, the gallery embodies a unique vision.

“At RAW, our fascination extends beyond art itself to the spaces it occupies. We immerse ourselves in art and everyday design, fostering connections between the two realms. Through our online curation, we celebrate the intrinsic qualities of print media, inviting exploration of their raw materials like paper, ink, wood, copper, and acid.”

RAW's influence transcends gallery walls. Their ambition is to craft fully immersive living spaces that elevate the experience of art. Through interactive and honest encounters, RAW empowers collectors to discover editions and access the extraordinary.

"At RAW Editions we always strive to unlock the possibility for art buyers to collect works by established artists and access the extraordinary. Art Money makes it possible to collect works that may have previously felt out of reach and has been a great asset for our gallery and our community of collectors."

Collect

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Paula Rego

Shakespeare's Room, 2006

Complete set of three lithographs in colour

Overall S. approx. 90 x 195 cm (35 3/8 x 76 3/4 in.)



Every work in our personal collection carries its own secrets and stories, but the one that has defined our shared collecting journey is the one we wake up to every morning. Paula Rego's seminal lithographic triptych Shakespeare's Room was our first wedding anniversary present (paper) to each other.

Bought directly from the publisher, the work had been stored flat in the artist's archive and had never been handled or framed before. RAW emerged from our intimate collecting practice and the gallery's curation is informed by our heroes- artists we admire and editions we want to surround ourselves with. 

Covet

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Bridget Riley

Untitled [Wave], 1975

Screenprint in colours, on wove

Signed, dated and numbered from the edition of 400

Printed by Graham Henderson, London

Published by Galerie Beyeler, Basel

Image: 11.5 × 42.8 cm (4.5 × 16.8 in)

Sheet: 19.9 × 48 cm (7.9 × 18.9 in)



Available from RAW Editions



GBP £1,500 x 10 months with Art Money Interest Free
or £15,000



Bridget Riley is undeniably one of the most innovative printmakers. She embraced the precise delineation of form and colour that screenprinting afforded while pushing the medium to new levels of technical proficiency.

Riley varies the scale of the works in order to experiment with not only colour transitions but the relationships between the colours and the intervals between them. While the large works can envelop and encompass the viewer, it is the equally powerful small scale editions like Untitled [Wave] that invite you to experience them more closely, intimately, that I treasure.

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